In 1953, Mamadou Touré directed Mouramani, a film considered as the first ever made by a black French-speaking director. However, the mystery remains. No one knows where to find a print, neither if one even exists. Au cimetière de la pellicule is the search for that film, and an ode to cinema, both the kind we watch and the kind we make. A road movie from east to west, north t...。一部独立纪录片,追溯了“伪纪录片”这一子类型的起源,跟踪其发展至今的现状,并探讨其未来的发展方向。。