The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。拉里·戈普尼克是美国明尼苏达州双城区某大学的物理教授,学校正决定是否颁发给他终身教授资格时,一位韩国学生向拉里抱怨考试评分不公,遭拒绝后则向拉里行贿。与此同时,拉里的妻子朱迪斯说她爱上了鳏夫塞·艾伯曼,要求离婚。不仅如此,拉里的无业神经质哥哥亚瑟越来越成为负担,儿子的犹太成人礼在即,女儿偷钱准备为鼻子做整容手术,而一封匿名信更是要将他的前程毁掉。焦头烂额的拉里求助于多位犹太牧师拉比,但信仰便能帮他走出困境吗?。소년들의 잠재력이 보이는 곳 <보이즈 플래닛>. K그룹 G그룹, 두 세계가 충돌하는 순간 하나의 세계가 탄생한다. 글로벌 팬덤이 직접 만들고 데뷔시키는 K-POP 보이그룹 메이킹 프로젝트 能看到全世界少年们潜力的地方 K组和G组,两个世界发生冲突的那一瞬间,就是一个世界的诞生韩国和全球粉丝们亲自制作并促使出道的K-POP男子组合制作项目各位明星制作人!请投票给最耀眼的少年吧!。