故事发生在1947年的旁遮普邦,印度在脱离英国殖民地统治之后,开始分隔回教徒,印度教派与回教派从此有了冲突。伊尔凡·汗饰演一名被迫逃离家乡的父亲,求子心切的他渴望重建家园,谁料妻子一连生下四个女儿。自欺欺人的他决意要将第四个女儿当儿子抚养,更为“他”安排了一场婚姻,甚至不惜一切…… 本片击败多部亚洲电影,荣获多伦多国际影展NETPAC亚洲电影大奖。评委形容电影“细腻地呈现了身份与转移的议题,片中的难民话题不只影响印度,还影响着整个世界。电影拍摄技术高超,比喻的叙事手法令这个感人故事更能引发观众深思。”。玛拉快三十岁了,仍然单身。她坚信神圣的传统、财富以及一切精神层面的事物,多年来,她一直相信命运,同时疗养着一颗破碎的心。但随着时间的推移,她开始担心自己可能永远单身。为了改变命运,玛拉与好友以及儿时邻居Pokpong联手。他们一起拜访了每一座寺庙和神社,希望爱情最终能降临到她身上。就在她即将放弃的时候,三个截然不同的男人出现在了她的生活中:一位善良的医生、一位成功的商人和一位拥有自由精神的独立音乐人。现在,玛拉必须做出抉择,是跟随她所相信的征兆,还是相信自己的内心。(来源:MONOMAX)。Rimini, 1991. For more than a year, the uno bianca gang - they always use a white Fiat Uno - has plagued the area. Their crimes are violent, sometimes killing carabineri, and there's no particular pattern: a bank one day, a petrol station the next, extortion of a small business the next. Are they terrorists? A foreign gang? Tied to the Mafia? After a particularly bloody shootout, two detectives are assigned to start fresh: they go through the notebooks of previous investigators and they interview a few witnesses again. They find a pattern in the crimes and predict the next assault, but the special task force in Bologna is dismissive. Can they carry on alone how far will they get?。