入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc....。单亲爸爸泰勒仍沉浸在丧妻的悲痛之中,他女儿所画的黑暗怪物却似乎活了过来,跑到现实世界破坏他们的小镇...。。