Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date.
The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer.
The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。Sequel to The Devil's Rejects.。她想要复仇,为了寻求正义,刀山火海,她不惜一切代价……
在一次血腥的暴乱中,莎拉·霍华德亲眼看着自己的父母惨死于恶人手中。她也被恶人囚禁沦为奴隶。无法逃脱魔爪,莎拉赤手空拳反抗恶人首领。尽管身体倍受摧残,但她意志坚强,即使孤军奋战,她也誓死复仇。
里克曾经是绿色兵团的战士,退伍后他依然保持了军人的勇气和力量。一次偶然的机会他与莎拉相识。他们联手后,力量壮大,带着无比高涨的勇气与热情,与邪恶势力展开了斗争…。